Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Lord Frederic Leighton
The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet

ID: 02384

Lord Frederic Leighton The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet
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Lord Frederic Leighton The Reconciliation of the Montagues and Capulets over the Dead Bodies of Romeo and Juliet


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Lord Frederic Leighton

British 1830-1896 Lord Frederic Leighton Locations   Related Paintings of Lord Frederic Leighton :. | Flaming June | Perseus On Pegasus Hastening To the Rescue of Andromeda | Cimabue's Madonna being carried through the Streets of Florence (mk25) | Frederic Leighton,Daedalus and Icarus (mk23) | The Light of the Hareem (mk32) |
Related Artists:
Leonhard Beck
German Northern Renaissance Painter, ca.1480-1542, Illuminator, painter, draughtsman and woodcutter, son of Georg Beck. He first appears as an illuminator and collaborator with his father in two Psalters for the Augsburg monastery of SS Ulrich and Afra in 1495, producing 35 coloured initial letters for each of them (Augsburg, Staats- & Stadtbib., Cod. 49a). These are vigorously coloured but fairly uniform in character, with small, lively biblical scenes excellently adapted to the letters. Red, green and blue predominate; ochre tones provide a link with the gold ground. The initial letter X is composed of splendidly curled, entwining foliage with birds and half-figures of prophets; the Virgin, Joseph, the Christ Child in the manger and the choir of angels are each enclosed in one of its sectors. The figures are presented in a light, easy manner; the draughtsmanship avoids unnecessary detail.
Chigot Eugene
French history painter and marine specialist , 1860-1890
John Francis Murphy
(December 11, 1853 - January 30, 1921), American landscape painter. He was born at Oswego, New York and first exhibited at the National Academy of Design in 1876, and was made an associate in 1885 and a full academician two years later. He became a member of the Society of American Artists (1901) and of the American Watercolor Society. At first influenced by Wyant and Inness, after 1900 he attacked the modern problems of light and air, thus combining the old and new theories of landscape painting. His chief characteristics are extreme refinement and charm, poetic sentiment, and beauty of surface. His composition is simple and his rendering of soil unique. A past master of values, he preferred the quiet and subdued aspects of nature. He received numerous awards, including a gold medal at Charleston (1902) and the Inness medal in 1910.






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